After the Tokugawas forced daimyo and their wives and children to live in certain places, what happened?
During Japan's feudal age, a Buddhist sect from China won widespread acceptance among samurai. Known in Japan as Zen, it emphasized self-reliance, meditation, and devotion to duty.
Zen had seemingly contradictory traditions. Zen monks were great scholars, yet they valued the uncluttered mind and stressed the importance of reaching a moment of “non-knowing.” Zen stressed compassion for all, yet samurai fought to kill. In Zen monasteries, monks sought to experience absolute freedom, yet rigid rules gave the Zen master complete authority over his students.
This painting, Flowers of the Four Seasons (ink and watercolor on gold leafed paper), by Shiko Watanabe (1683–1755) demonstrates the Zen ideal of subtle suggestion.
Zen Buddhists believed that people could seek enlightenment through meditation and through the precise performance of everyday tasks. For example, the elaborate rituals of the tea ceremony reflected Zen values of peace, simplicity, and love of beauty. Zen reverence for nature also influenced the development of fine landscape paintings.
Under the Tokugawas, cities such as Edo and Osaka were home to an explosion in the arts and theater. At stylish entertainment quarters, sophisticated nobles mixed with the urban middle class. Urban culture emphasized luxuries and pleasures and differed greatly from the feudal culture that had dominated Japan for centuries.
In the 1300s, feudal culture had produced Noh plays performed on a square, wooden stage without scenery. Men wore elegant carved masks while a chorus chanted important lines to musical accompaniment. The action was slow, and each movement had a special meaning. Many Noh plays presented Zen Buddhist themes, emphasizing the need to renounce selfish desires. Others recounted fairy tales or the struggles between powerful feudal lords.
These modern performers of Noh theater are storytellers who do not act, but instead use visual appearance and movements to suggest symbols and refer to classic stories.
In the 1600s, towns gave rise to a popular new form of drama called Kabuki. Kabuki was influenced by Noh plays, but it was less refined and included comedy or melodrama in portraying family or historical events.